“Hyper Cube” by Kit Webster

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KIt Webster

http://kitwebster.com

Kit Webster is a mixed-media artist based in Melbourne, Australia. His works, which range from site-specific projections to digital sculptures, utilise precision programming and visualisation techniques to create captivating immersive environments. In continually pushing the boundaries of technology and art, Kit is not afraid to present experimental concepts designed to expose possibilities for the creation of a new kind of audiovisual aesthetic.

This year he has created ‘Hypercube’, a programmed LED-illuminated 4D cubic sculpture commissioned for the ‘White Night Melbourne’ festival and also for exhibition at the Abbotsford Convent arts precinct, and ‘Plateaux’, a multi-faceted laser-cut audiovisual sculpture illuminated with mapped projections, commissioned and acquired by Bendigo Art Gallery for their permanent collection.

Just so you get an idea of what the cube can do! After being constructed in The Food Court it has gone to the QV building in the city. Don't forget to check it out as part of White Night Melbourne 1524392_602162056524726_2117960606_o Image by Kit Webster February 14th 2014  @ The Food Court

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Images by Pierre Proske who also helped construct the cube as did Corey Mahar

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The almost completed cube February 9th 2014  @ The Food Court

 

"Hyper Cube" @ The QV Building Melbourne CBD

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Final construction of the cube in the QV building Images by Brendan Harwood

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Images by Brendan Harwood February 18th 2014

 

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A sneak peak of the cube in action @ The QV Image by Fionnbaharr Pfeiffer February 19th 2014

Exhibitions Recap 2013 MESOPOTAMIA – Jeremy Eaton & Nellie Rogerson

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blog_flyerJeremy Eaton and Nellie Rogerson audaciously rearrange the Food Court into a sculpturally populated city, Mesopotamia.

The physical formation, rhythms and attitudes of the Dockland’s have influenced Jeremy’s expressive responses to the environmental, material and temporal conditions of the surrounding space. Nellie makes sculptural ‘experiments’ encompassing latent energy in playful modes of display. The clever structures gesture towards their occurring tensions and energies in conversation with the space and the viewer.

Mesopotamia will advance a sculptural conversation between the two artists, in a place and space out of time.

Nellie Rogerson is a Visual Artist working primarily within a sculptural discourse. She graduated from Monash University with a Bachelor of Fine Art in 2011, and then completed her Honours at the Victorian College of the Arts the following year. After finishing at Monash, Nellie was selected for 'Fresh!' at Craft Victoria, the 'NEWER12' exhibition at Trocadero Art Space and published in DQ Magazine. In 2013, Nellie has shown in Melbourne and interstate- in group and solo shows at Seventh Gallery, Platform Contemporary Art Space, Moana and as a part of L'oreal Melbourne Fashion Week's 'Penthouse Mouse.' Nellie lives and works in Melbourne.

Jeremy Eaton’s practice spans sculpture, installation, photography, drawing and collage. Jeremy completed a Bachelor of Fine Arts with First Class Honours at the VCA in 2012. Recent exhibitions include Extended Moment, West Space, Green Miles, Blue Miles and Yellow Miles at Bus ARI and a collaborative installation, Smokescreen, with Elizabeth Pedler at TCB. Jeremy has also participated in local and national groups shows including the Wallara Travelling scholarship at the Margaret Lawrence Gallery and Rising, a temporary public sculpture exhibition at Victoria Harbour, Docklands.

 

 

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Melissa Deerson FIELD TRIP (Exhibition) September 2013

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Field trip (exhibition)
Melissa Deerson
http://www.melissadeerson.com

An exhibition at The Food Court at the Docklands, Melbourne.

The show consisted of data collected from a public field trip conducted in the area and an accompanying ‘field guide’ – a book and collection of photographs – was made which collated and highlighted participants’ contributions. The exhibition also included work by Briony Galligan, Yvette King, Melanie Upton, Leo Zylberberg and Mario Campos Castellano and myself which reflected on how nature and commerce operate in urban areas.

The results come together to form a strange, idiosyncratic field guide to the Docklands and a response to the food court itself – no longer in use but still frequented by birds, ants and other creatures.

My contribution to the Field Trip consisted of a bread doormat welcoming the birds, as well as bread-tiled tables, advertisements of food for seagulls, and a sound piece using the samples collected by field trip participants (sand, bells, bits of metal), local bird calls and the sound of the wind outside the space. Listen to Docklands Song here.

Briony Galligan contributed handmade camp chairs – colourful, flamboyant and far removed from their utilitarian origins, while Melanie Upton presented aluminium-cast rubbish hybridised with rocks, wood and other natural elements. Yvette King staged a courageous voyage by dinghy up the Yarra River from Dights Falls to the Docklands (documented at http://boat-fieldtrip.tumblr.com ) and Leo Zylberberg and Mario Campos Castellano presented a slideshow of abandoned, discarded breads on the streets of Berlin.

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TYPHOON YOLANDA ART FUN-DRAISER

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The TYPHOON YOLANDA ART FUN-DRAISER held @ The Food Court was a night of

VIDEO ART / THEATRE / PHOTOGRAPHY / DANCE / WRITINGS / MUSIC / DRINKS & FOOD!

Gawad Kalinga -http://www.gk1world.com/

Some highlights of the night included:
video work by SIPAT LAWIN ENSEMBLE (Philippines)
installations by SARAH KAUR, EMILY STEWART & TOO MANY WEAPONS, among others
a performance of Sight is the Sense by TIM ETCHELLS (Forced Entertainment UK) **(Aus Premiere)**
dance work by RACHEL HELLER-WAGNER & TIMOTHY WALSH (Menagerie ensemble)
readings and performances from TOM DOIG, LAURA JEAN MACKAY, TOBIAS MANDERSON-GALVIN, and more
music by ALEX DUNCAN
photography by SARAH WALKER
dj and other things by NICK MCCORRISTON

FIELD TRIP

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Join Mel Deerson and The Food Court, Saturday, November 30 between 12pm and 5pm for a Docklands Field Trip.

The aim of the exercise is for participants to take a fun, self-directed nature survey of the area as part of an art project.

You will be given pens, paper and instructions on the day, as well as snacks, and you're welcome to come and go as you please. We will be set up at The Food Court, Waterfront City, near the grass amphitheatre.

Your work will be used as part of an exhibition called FIELD TRIP at the gallery space 'The Food Court', which is part of the Renew Docklands project.

Your data will be collated, interpreted and displayed, coming together with work by other artists to make a strange, interesting field guide to nature in the Docklands. We will note your contribution in the exhibition, which will run from December 13 to January 4, and we would love to see you at 6pm, Thursday December 12 to celebrate the opening of the show.

Although there may not be much wildlife in the traditional sense in the Docklands, there are 'natural' things which come poking through, if only in some small way – weeds, urban birds, the odd fish (including a famed cuttlefish!), ants, even rabbits. Our project is to re-examine a space that's got a reputation for being a bit barren and windswept and see if there are other ways to look at it.

Contact:

Melissa Deerson
meldeerson@gmail.com
0431 130 899

Artist Profile – Hiroyasu Tsuri

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The Food Court recently worked with Melbourne-based Japanese artist Hiroyasu Tsuri, to create two works for outside walls in Waterfront City.

Hiroyasu Tsuri, 'Two Horses', 2013 @ The Food COurt
Hiroyasu Tsuri, 'Two Horses', 2013 @ The Food Court, Docklands

Hiroyasu gained an early interest in art through skate board graphics and the graffiti culture.
Since Hiroyasu moved to Melbourne he became involved with the rapidly growing Street Art scene, under the name of TWOONE. In parallel to his street work, Hiroyasu studied Visual Arts New Media at Swinburne University of Technology.

Hiroyasu's work often shows 'animal headed human bodied creatures', he calls this on going series "Psychological Portrait" which shows more of the inner character and personality, that exists timelessly and universally, opposed to ones superficial outlook.

Hiroyasu is also exploring ideas with his series titled "Metaphysical Landscape" which often features twisted and stylised still-life / landscapes.

Hiroyasu Tsuri, 'Ridiculous', 2013 - The Food Court, Docklands
Hiroyasu Tsuri, 'Ridiculous', 2013 - The Food Court, Docklands

Both of Hiro's works created for The Food Court are on display indefinitely in Waterfront City, Docklands, and can be viewed 24/7.

Initiate – 4pm, Nov 2nd – Abre Ojos, Haark, Illuminoscillate Album Lauches + more

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Serving as a celebration for the launch of new albums from Abre Ojos, HAARK and Illuminoscillate. Joining the celebration is Monolith, Worng, cleaninglady and a special performance from Rohkontrol.

Hosted at the amazing Food Court Art Space, Saturday 2nd November, from the balmy afternoon at 4pm through dusk and into the night when the visuals kick on and drag you further into the void.

Abre Ojos - Gates album launch
Haark - Individuation album launch
Illuminoscillate - Uniform Wall album launch
Monolith
Worng
cleaninglady
Rohkontrol

Illuminoscillate: After an extended gestation period, Illuminoscillate birthed a mutated audio/visual entity seated upon the outskirts, yet comfortably within the genres of dark industrial and ambient noise. Weaving a loom of lysergic, illicit undecurrents, bleeding from the plague ridden soils of lifes toxic sanctity of repetitive manifestation.. Beautiful and deeply-textured low-end drones, cavernous sounds like the blissful slumber in the belly of a B-52 Bomber. Illuminoscillate penetrates the consciousness, entertaining access to an elevated state of activated realisation, where structural foregrounds are bound to the degradation of decaying methodic execution, leaving only explicit deranged structures to beautify subliminal sensory fulfillment, and lead alongside oblivion.. Matched by morphing, kaleidoscopic visuals suggestive of ancient mysticism, somehow lost but seemingly still near the surface of modern life.
http://illuminoscillate.bandcamp.com/
Uniform Wall CD: http://www.secretsofgiza.com/?p=53

HAARK: genre-defying post-grindcore glitch-metal epistemology, dedicated to exploring issues of belief, constructivism, relativism, and ethics, while cranking out killer riffs and really fucked noises.
http://haark.bandcamp.com/
Heart EP: http://secretsofgiza.bandcamp.com/album/heart

Abre Ojos: The Abre Ojos project creates audio-visual immersive experiences for meditation and exploration of the human spirit. Combining mesmerising visuals and audio, engaging the ears with a fusion of dark ambient/drone and traditional ritual drumming while soothing and challenging the eyes and mind with continual merging of mandalas with primal imagery and contemplative silence. A unification of sight and sound that opens a doorway to thought and self-reflection.

http://abreojos.net/
Gates CD/DVD: http://www.secretsofgiza.com/?p=101

WORNG: makes music with fingers, sequencers, synths, samplers and drum machines.
WORNG has released a couple of albums and a 7", was featured on Sabbatical's 'Knife Culture: Buried Melbourne' compilation, has remixed a bunch of awesome Melbourne peeps, composed and performed an original electronic score for Nosferatu and blown minds with live sets of zombie house.

Beardrock.com describes WORNG as "an immaculately monged, flangey bit of proto-acid house"

Googling WORNG is an enlightening experience.

http://soundcloud.com/worng
http://worng.bandcamp.com/

Monolith: The solo project of Melbourne based artist and multi-instrumentalist Peter James. The Monolith project began in 2011 and with the first release ‘Spectres’ he set about exploring dense drones. Monolith’s music has shifted to a more rhythmic edge with stripped back mantric beat patterns and dark chords. With the latest offering KIPL110312 Monolith has moved into misty subterranean sound fields – the result ‘cold rhythmic catharsis’. Monolith’s work is primarily based around mesmerising industrial styled drones and sound cut ups overlayed with minimal rhythms to create dark and foreboding soundscapes. Primitive, minimalist, industrial bleakness. http://www.facebook.com/pages/Monolith/169469166474907

Rohkontrol is one of the many facet of characters that embody the work of Xurroh in the red dust continent. From the vocal delivery in the now deceased black pyschedelic noise band Malam, Rohkontrol predominantly spends time in the dark ambient / ritualised spheres of Animalspirits. A three fold unit that works on chance, time and the casting of Runes upon the turn of equinoxes and solstices in the Southern Hemisphere, they have offered few public performances over the past few years.

To be integrated, assimilated and initiated into Exile, Rohkontrol seek new portals to wander and be poisoned by Fate.

http://www.xurroh.tumblr.com/
http://ww.soundcloud.com/rohkontrol
http://www.cancermakhluk.tumblr.com/

cleaninglady is a solo project from Australian Sound Artist and Saxophonist - Stevie Richards.
cleaninglady live performance is based around Improvisational Principles...to generate sounds live ; manipulating , re-routing and ultimately destroying them.

The live sound is ambient with an unsettling subtext ; at times extreme and always exploring the high and low frequency spectrum.

The sound was achieved in the past through the use of Empty Mixer , Effects Pedals , Saxophone and various cracked electronic devices.

More recently , cleaninglady has performed almost entirely on self made Serge format Modular Synthesizers.

http://soundcloud.com/cleaninglady
http://cleaninglady.bandcamp.com/

MESOPOTAMIA – Jeremy Eaton & Nellie Rogerson

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blog_flyer

The Food Court presents its October Exhibition.

Jeremy Eaton and Nellie Rogerson audaciously rearrange the Food Court into a sculpturally populated city, Mesopotamia.

The physical formation, rhythms and attitudes of the Dockland’s have influenced Jeremy’s expressive responses to the environmental, material and temporal conditions of the surrounding space. Nellie makes sculptural ‘experiments’ encompassing latent energy in playful modes of display.

The clever structures gesture towards their occurring tensions and energies in conversation with the space and the viewer.

Mesopotamia will advance a sculptural conversation between the two artists, in a place and space out of time.

 

Nellie Rogerson is a Visual Artist working primarily within a sculptural discourse. She graduated from Monash University with a Bachelor of Fine Art in 2011, and then completed her Honours at the Victorian College of the Arts the following year. After finishing at Monash, Nellie was selected for 'Fresh!' at Craft Victoria, the 'NEWER12' exhibition at Trocadero Art Space and published in DQ Magazine. In 2013, Nellie has shown in Melbourne and interstate- in group and solo shows at Seventh Gallery, Platform Contemporary Art Space, Moana and as a part of L'oreal Melbourne Fashion Week's 'Penthouse Mouse.' Nellie lives and works in Melbourne.

Jeremy Eaton’s practice spans sculpture, installation, photography, drawing and collage. Jeremy completed a Bachelor of Fine Arts with First Class Honours at the VCA in 2012. Recent exhibitions include Extended Moment, West Space, Green Miles, Blue Miles and Yellow Miles at Bus ARI and a collaborative installation, Smokescreen, with Elizabeth Pedler at TCB. Jeremy has also participated in local and national groups shows including the Wallara Travelling scholarship at the Margaret Lawrence Gallery and Rising, a temporary public sculpture exhibition at Victoria Harbour, Docklands.